To the Stars!

Reviews of "Making it So", by Patrick Stewart, and "The Silent Star" from DEFA films.

When I think about religion, I usually think about how wrong it all is. But at the same time, it has provided a narrative structure for much of humanity and much of human history, for better or worse. It could be regarded as the original science fiction, with its miracles, and reports of supernatural beings and powers. Both testaments of the Bible read like wonder tales of strange happenings and hopeful portents. While theology might take the heavenly beings and weird powers seriously, it is obvious these were mere philosophical gropings after the true gears of the world, while the core of the stories are the human narratives of conflict, adversity, and morality.

In our epoch features a welter of storytelling, typically more commercially desperate than culturally binding. But one story has risen above the rest- the world of Star Trek. From its cold war beginnings, it has blossomed into a rich world of morality tales combined with hopeful adventure and mild drama. The delightful recent autobiography by Patrick Stewart brought this all back in a new way. Looking at the franchise from the inside out, from the perspective of a professional actor who was certainly dedicated to his craft, but hardly a fan of the franchise- someone for whom this was just another role, if one that made him an international, nay galactic, star- was deeply interesting. Even engaging(!)

As a Shakespearean actor, Stewart was used to dealing with beloved, culturally pivotal stories. And this one has become a touchstone in Western culture, supplying some of the models and glue that have gone missing with the increasing irrelevance of religion. It is fascinating how heavily people depend on stories for a sense of what it should, can, and does mean to be human, for models of leadership and community. Star Trek, at least for a certain segment of the population, has provided a hopeful, interesting vision of the future, with well-reasoned moral dramas and judgments. Stewart embodied the kind of leadership style that was influential far beyond the confines of Starfleet. And his deeply engaged acting helped carry the show, as that of Leonard Nimoy had taken the original series beyond its action/adventure roots.

Where the narrative of Christianity is obscurantist, blusteringly uncertain how seriously to take its own story, and focused on the occasional miracles of long-ago, Star Trek values the future, problem solving and science, while it makes little pretense of realism. On the other hand, it is fundamentally a workplace drama, eliding many important facets of humanity, like family and scarcity. Though in the Star Trek world money is worthless and abundance is the rule, posts on starships remain in short supply. There always will be shortages of something, given human greed and narcissism, so there is always going to be something subject to competition, economics, possibly warfare. Christianity hinges on preaching and conversion, based on rather mysterious, if supposedly self-serving, personal convictions. Its vision of the future is, frankly, quite frightening. Star Trek, on the other hand, shows openness to other cultures, diplomacy, and sharing in its eschatological version of the American empire, the Federation. (Even if they get into an inordinate number of fights with un-enlightened cultures.)

The Star Trek story is so strong that it keeps motivating people to make spaceships. Just look at Elon Musk, who, despite the glaringly defective logic of sending humans to Mars, persists in that dream, as does NASA itself. It is a classic case of archetypal yearnings overwhelming common sense, not to mention clear science. But that is a small price to pay for the many other benefits of the Star Trek-style world view- one where different cultures and races get along, where solving problems and seeking knowledge are the highest pursuits, where leadership is judicious and respectful, and humans know what they stand for.

In a similar vein, the Soviets, who led humanity into space, had their own fixations and narratives of space and the future. I recently watched the fascinating movie from the East German DEFA studios, The Silent Star, (1960), which portrays a voyage to Venus. It strikingly prefigures the entire Star Trek oeuvre. There are the scientists on board, the handsome captain, the black communications officer, the international crew from all corners of the earth, the shuttle craft, the talking computer, the communications that keep breaking up, and the space ship that rattles through asteroid fields, jostling the crew. While there are several pointed comments on the American bombing of Hiroshima to set the geopolitical contrast, there is, overall, the absolute optimism that all problems can be solved, and that adventuring to seek the truth is unquestionably the most exciting way to live. One gets the distinct sense that Star Trek was not so original after all.

It was time when technology had pried open the heavens for direct investigation, and what humanity found there was stunningly unlike what had been foretold in the scriptures. It was a vast and empty wasteland, dotted with dead planets and lacking any hint of deities. We had to create an alternative narrative, with warp drive and M-class planets, where humans could recover a sense of agency and engagement with a future that remains tantalizing, even if sober heads know it is as wishful as it is fictional. It is the story, however, that is significant, in its power to give us the fortitude to go forth, not out among the stars, but into a better, more decent community here on earth.

• The long Soviet fixation on Venus.
• The Star Trek that could have been.
• Some atheist cinema is, however, not so great.
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