Truth and the Silo

Living in a silo, and wondering what is outside.

The first season of Apple's Silo series was beautifully produced and thought-provoking. Working from a book series of the same name which I have not read, it is set in a devastated world where about 10,000 people live in a huge underground silo. As the show progresses, it is clear that the society got a little totalitarian along the way. We are introduced to a "pact", which is the rules set up ~150 years ago, when a revolution of some undescribed sort happened. Now there is a "judicial" department that sends out goons to keep everyone in line, and there are the rules of the pact, which seem to outlaw fun and inquiry into anything from the past or the outside. It also outlaws elevators.

On the other hand, the population has a window to the outside, which shows an extremely drab world. A hellscape, really. But due to the murky nature of political power and information control within the silo, it is hard to know how real that view is. I won't give away any spoilers because I am interested in exploring the metaphors and themes the show brings up. For we are all working in, living in, and raised in, silos of some sort. Every family is a world more or less closed, with its own mood and rules, generally (hopefully) unwritten. The Silo portrays this involution in an incredibly vivid way.

(Third) Sheriff Nichols meets with the (second) mayor in a lovingly retro-decorated set.

It is fundamentally a drama about truth. One could say that most drama is about seeking truths, whether in a literal form like detective and legal dramas, or in more personal forms like romance, coming of age, and quest-for-power dramas. The point is to find out something, like how attractive the characters are, who will betray whom, who has lined up the better alliances, what a person's character is really like. Why read a story unless you learn something new? Here, the truths being sought are in bold face and out front. What is outside? Who really runs this place? What built this place? Why are we here? Why is everyone wearing hand-knit woolens? And the lead character, Juliet Nichols, is the inveterate truth-seeker. A mechanic by inclination and training, she really, really, wants to know how things work, is proud of mastering some of that knowledge, and is dedicated to dealing with reality and making it work. This quest leads her into rebellion against a system that is typical for our time ... at least in China, North Korea, and Russia. A surveillance and control state that watches everyone, pumps out propaganda, outlaws contrary thought, symbols, and objects, imprisons those who disagree, and ultimately sends inveterate truth seekers outside ... to die.

The nature of truth is of course a deep philosophical question. A major problem is that we can never get there. But even worse, we don't necessarily want to get there either. We automatically form a narrative world around ourselves that generally suffices for day-to-day use. This world is borne largely of habit, authority, instinct, and archetypes. All sorts of sources other than a systematic search for truth. For example, the easiest truth in the world is that we and our group are good, and the other group is bad. This is totally instinctive, and quite obvious to everyone. Religions are full of such truths, narratives, and feelings, developed in the least rigorous way imaginable, ending up with systems fired in the crucible of personal intution, and the imperatives of group dynamics and power. But truth? 

Lighting tends to be a little dark in the Silo, as are the politics.

The Orwellian society is curious, in a way. How can people's natural thirst for truth be so dangerous, so anti-social, and so brutally suppressed? Due to the processes mentioned above, each person's truth is somewhat distinct and personal, each person's quest goes in a different direction. But a society needs some coherence in its narrative, and some people (say, our immediate former president) have an intense yearning for power and need to dominate others, thus to bend them to their own version of truth. Reality distortion fields do not occur only in the tech industry, but are intrinsic to social interaction. The Silo, with its literally closed society, is a natural hothouse for a social fight for dominance and control of reality. Oh, and it has a eugenic program going on as well, though that is not a big focus in the first season.

One can almost sympathise with the fascists of the world, who see truth as functional, not philosophical. Whatever glorifies the state and its leader, whatever keeps the society unchanging and sheltered from uncomfortable truths and surprises. Who needs those pesky and divergent people, who just want to make trouble? And the more baroque and unhinged the official narrative has become, the more dangerous and easy the work of the social sabateur becomes. If the emperor has no clothes, it only takes a child to ask one question. In the Silo, there are various underground actors and uneasy officials who are losing faith in the official line, but where can they go? Is their doubt and desire for the facts more important than the continuation of this very tenuous and smothered society? Could a free-er society work? But why risk it?

In our contemporary world, the right wing is busy making up a parallel universe of obvious and button-pushing untruths. The left, on the other hand, is pursuing a rather righteous investigation into all the mainstream truths we grew up with, and finding them lies. Is the US founded on genocide, slavery, and imperialism? Or on democracy and opportunity? Is capitalism salveagable in light of its dreadful record of environmental, animal, and human abuses? It is not a comfortable time, as the truths of our society are shifting underfoot. But is the left unearthing the true truth, or just making up a new and self-serving narrative that will in time be succeeded by others with other emphasis and other interests? 

History is a funny kind of discipline, which can not simply find something true and enshrine it forever, like the laws of gravity. There is some of that in its facts, but history needs to be continually re-written, since it is more about us than about them- more about how our society thinks about itself and what stories it selects from the past, than it is about "what happened". There are an infinite number of things that happened, as well as opinions about them. What makes it into books and documentaries is a matter of selection, and it is always the present that selects. It is a massive front in the formation / evolution of culture- i.e. the culture war. Are we a culture that allows free inquiry and diverse viewpoints on our history, and welcomes observations that undercut comfortable narratives? Or are we a more Orwellian culture that enforces one narrative and erases whatever of its history conflicts with it?

The top level dining room has a viewport to the outside.

The Silo is definitely a culture of the latter type, and its history is brutally truncated. Yet interestingly, character after character nurtures some object that violates the pact, representing a bond with the forbidden, hazy past - the forebears and former world that must necessarily have existed, even as nothing is officially known about them. The urge to know more, especially about our origins, is deeply human, as is the urge to keep one's society on an even keel with a unified and self-satisfied narrative. This tension is built up unceasingly in the Silo, which is as far as we know a unique and precious remnant of humanity. It asks the question whether its stability is worth so much oppression and ignorance.

Parenthetically, one might ask how all this connects to the dystopia outside. The Silo is only painting in extreme colors trends that are happening right now in our world. As the climate gets weirder, we spend more time inside, increasingly isolated from others, entertaining ourselves with streaming offerings like the Silo. Its apocalypse appears more nuclear than climatological, but for us, right now, a dystopia is unfolding. After decades of denial and greed, the truth of climate heating is no longer at issue. So what if the truth is known- has gotten out of the bag- but no one wants to act on it? Another form of courage is needed, not any more to uncover the truth, but to meet that truth with action- action that may require significant sacrifice and a fundamental re-design of our Silo-like system of capitalism.

• Leave your silo, please.
• How many lies can one person believe?
• How one Confederate resolved to move on in Reconstruction.
• Want to turn off your brain for a little while? How about some stutter house?