Stories we tell about how things work.
I am reading an ancient book about ancient myths, covering some of what was known of the ancient world's stories circa the mid-20th century (that is, the "developed" ancient world of Egypt, the Near East, China, India, etc.). The authors occasionally seem exasperated that their colleagues- the ancient authors of these stories and myths- do not always take their stories as seriously as scholars themselves do, after having so painstakingly learned the relevant languages, unearthed the precious tablets, papyri, inscriptions, and other sources, compared different versions, and interpreted them in light of the historical setting. No, ancient myths can be playful affairs, evolving in dramatic complexity, freely mutating to serve the needs of the moment in their mutable oral traditions. This is especially true the farther back you go into ethnographic history, such as into the stories of the Inuit and other First Peoples of North America. It is evident that ancient societies varied widely in their theological and mythological sophistication, and particularly how closely entwined these were with the centers of power.
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| Inuit mythologies and their custodian, the shaman. |
The scholarly apparatus around myth studies has a very earnest and modernist cast, which derives from two sources. First is Christianity, which as an extreme political and social elaboration of ancient religions has progressively reified and codified its myths. Inheriting a grab-bag of disparate ancient myths and stories, Christianity shored up its social position and theological bona fides by insisting that it was all true. The more sclerotic and far-reaching its bureaucratic structure, the more tightly it held to the absolute truth of its dogmas. A second aspect was the enlightenment and the rise of scientific modernity. That world view was not interested in playful myths of psychodrama, but in hard truths of how the world really works, stripped of the colorful trappings. Competition with this world view helped to further push religious dogmas in an absolutist direction, to that point where today, both Christian Evangelicals and fundamentalist Islamists insist that their scriptures are literally true, handed down from an all-powerful god who really exists and is not fictive construct meant as a playful expression of our scientific ignorance on one hand, and our love of social drama on the other. Anthropologists took their cues from all this, assuming that the precious myths they were studying had to be expressions of a society's absolute truths, organizing principles, and deepest motivations. But perhaps they were originally ways to pass the time and enchant a few youngsters.
Science is telling stories, too. Are they really so different? On the one hand, our need to orient ourselves in the world remains unchanged from ancient times, so the core purpose of explaining reality and society through complicated tales of causes and effects remains. And to a lay person, the explanations of quantum mechanics or cosmic inflation are no less impenetrable than myths about gods and dragons. Thus the scientists who are the custodians of these stories find themselves in the ironic position of a new priesthood, cultivating the cultural narrative around origins, natural phenomena, biology, and the like, while extending these stories in systematic ways that the priests (and alchemists, and shamans, and druids) of yore could only dream about, if they could even conceive of such reliable beliefs untethered from social drama and social control. But today's scientists can't and won't inject ancillary drama into these stories, so they will remain split off from their traditional roles and uses.
So the telling of dramatic stories and the consequent management of society through the narratives of origins, myths, and meaning- if ancient myths really did fulfill these functions, which is perhaps an anachronistic construction on our part, or at least varied widely with the nature of ancient societies- are skills having nothing, really, to do with the scientific enterprise of today, and thus nothing to do with this new priesthood. Who takes these roles?
Theology would seem the natural place for the living and socially relevant myth. But theology has split definitively from science, from history, and indeed from reality, nurturing narratives that are absurd while claiming they are true, and which in their antiquity and provincialism are impossibly remote from our current concerns, morals, and social ability to relate even allegorically. Theology has thus become lost in a sterile wilderness, doomed to be cut off from its mythical and social power. Even the more liberal and elastic precincts, if they do not insist on absolute literal truth, adhere to the crusty old stories of the Bible, which while occasionally artistic, are mostly a maddening hodgpodge and, frankly, boring. What was riveting in antiquity about lengthy ancestor lists, angry gods, virgin births, and ascending into the clouds is ridiculous today.
The story-telling mantle has obviously been taken over by Hollywood- by the Marvel series, Star Treks, Star Wars, Potter series, and similar epics of modern fantasy. They bend reality in classically mythical ways, make up their own theology as they go along, (and throw it away as casually with the next installment), and communicate constantly updated social mores. The graphics are otherworldly, the stories and morals are updated, but the fundamental sophistication of these stories can't really be said to have advanced much. They are speaking to human nature, after all- a conversation between our inborn archetypes and the social and technological conditions we find ourselves in.
The key point is that Hollywood myths are taken as intended- as fertile and mind-expanding fantasies with social and moral lessons that are (hopefully) beneficial and relevant for our times. They are not trying to claim their myths as true- that would be absurd. Thus they do not collide with either scientific or theological claims, and use myth as it was originally and truly intended- as the dreamlike realm of symbolic human drama, full of lessons, yes, but not scientific ones, or even pseudoscientific ones.
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